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A montage of images, events, words. His productions are hypersensitive to the present, to what is at stake, to how humans and the world are organised and what makes them tick. Power dynamics.


Things are constantly in movement and only settle in order to lead us elsewhere, like various stages in the constant redefinition of the order of things. He practices a way of making art, through protocol and accumulation. His everyday actions and projects are thought and activated over a long period of time — perhaps over a lifespan — marking a personal routine. The collection process, object identification, research, discovery, composition, separation and organization form a set of gestures with no other purpose but to maintain the artistic process.

Collecting Original Vintage Posters

With A. Ohannessian, L.

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Cité internationale des arts

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Tezam, W. Marcelly, B.