The two chapters which follow analyze the Modern phase of affirmative solar aestheticism. The detailed analyses of individual poems may well constitute the most valuable portions of the work; one could even wish for a greater number of such analyses, which would also serve the purpose of strengthening further the author's central thesis. A list of Works Cited and an Index follow a section of Notes which also contains material of interest. The works in this collection are somewhat uneven in quality and content and overall, contain relatively few new insights. This exciting collection of literary essays is a fitting.
Contributors include former students, friends, and colleagues from Piper's more than fifty years' connection with Williams, beginning with his freshman year there in There are also articles from associates from his graduate school days at the University of Wisconsin. Literary approaches range from the most recent reader-oriented literary theory and feminist criticism to the more traditional historical and linguistic studies. There is even a tour de force by Irwin Shainman, Piper's friend and colleague of more than thirty-five years at Williams, of Verdi's life, works and significance using his Spanish operas as a focus.
The subject matter is as democratic as the approaches used to elucidate the material. The style of the essays is sprightly, at times even amusing, but never frivolous. Some of the most enjoyable essays are by former students who initially entered academe and then went into other fields. Writing is now an avocation for them, and their love and enthusiasm for literature radiate.
Such a writer is August J. Another such author is Robert L. Now an international advertising executive, Mitchell left academe in His passion for their writing does not prevent his imparting a balanced, intelligent sense of their poetic process; in fact, it enhances it. The writers of this volume, as if aware of their diverse audience, orient the reader sufficiently so that even someone unversed in a particular subject can enjoy it. The result is an expansion of the reader's horizons and consciousness and a stimulation to complete much needed scholarship, often suggested by the authors at the end of the various essays.
There is much of Anson Piper in this volume. His receptivity and openness to new ideas, tempered by a humanistic appreciation of those things of lasting value are evident in the subject matter and caliber of the essays. Their articles in honor of him are genuinely interesting and entertaining. They embody the maxim, Prodesse et delectare.
There is also much of the wisdom of Piper's old friend Cervantes. Though in the work of Diana de Armas Wilson and other contributors, Cervantes does not seem so much old, as enduring. In it we again see the influence of Cervantes in the form of El Quijote. Piper urges his audience to see reality for what it is and to be mindful of the madness that can masquerade as rationality. As a corrective he urges the cultivation of basic sanity and one's inner world or spirit. The volume is sure also to earn its place -on the shelf of any truly educated person's library.
One of Puerto Ricos most prolific authors, Enrique. Laguerre published in the Twayne Author Series in Both books provide a useful bibliography as well as frequent references throughout the text to the opinions of other critics. Estelle Irizarry has written extensively on Laguerre with an additional book on his classical La llamarada as well as articles, bibliographies and special editions of his works. The first chapter relates the author's life to the changing economic and social structure of the island, from its agrarian roots at the end of the 19th Century to the urban society of the present.
Throughout this study, Irizarry is careful to point out the influence of history and change as they are reflected in Laguerre's works. Thus, for example, she demonstrates how the profound disruptions in the rural economy of coffee and tobacco farms caused by the introduction of U. As the subtitle of this study indicates, however, not only does Irizarry situate the various novels studied in individual chapters within their historical and political context; she is also careful to establish Laguerre's works within a European and Latin American literary tradition.
Laguerre's use of symbolism and metaphor as well as his recurrent utilization of legend, myth and folklore, both local and universal, are carefully examined in her analysis of the novels. Laguerre is a carefully-written study with useful and often enlightening information for those who wish to understand in some depth the novels of this important Latin American author. As early as the 's, Bombal was promoting the feminist cause in her prose works. The text is divided into an introduction, four analytical chapters, a conclusion, an appendix and a bibliography.
The first chapter gives a biographical sketch, elements of which have been substantiated in a personal interview with the author reproduced in the appendix. Chapter II places Bombal within an historical framework. Texts of work laws and references in Catholic Church doctrine which signal the subservience of women provide insight into the condition of Chilean women some fifty years ago. The next two chapters present detailed analysis of Bombal's short stories and novels.
Perceptive footnotes compensate for the occasional superfluity of plot description. The conclusion, Chapter V, unites the major points of the analysis. An overall definition of woman, as portrayed by Bombal's female protagonists, is attained: each is confused, frustrated and alienated. Alone with her thoughts, Bombal's protagonist resorts to interior monologue to express her anguish. The only negative aspects of the study are occasional repetition of quotations and numerous typographical errors.
Nevertheless, these minor flaws are far offset by the impeccable research which the work reflects. The bilingual footnotes are insightful, revealing a broad knowledge of world literature and psychology. The bibliography is thorough and up-to-date, characteristic of the diligent preparation noted throughout the study. Finally, the text is readable and holds interest. Based upon this study, one might well agree.
At the very least, one gains a greater appreciation of the universality of Bombal's works. Therefore an important mark of fantastic literature is the irreconcilable doubt with which the reader is left at the end of a story, concerning whether something paranormal took place or whether there is after all a rational explanation. One must question, though, whether Bombal's story qualifies despite this criterion. An adulterous affair is anything but paranormal, and the fantasy element lies only in the question whether it took place in objective reality or only in the mind of the protagonist.
In it, a male protagonist follows a woman out of a strange restaurant when he thinks she is in danger. She disappears, whereupon he returns and is brutally murdered. In Cruz's analysis much is made of whether these events partake of the nature of ordinary reality or not. The point, though, would seem to be that at the conclusion the woman is revealed to be the narrator, and as such can imagine, and narrate, anything she wants, as is the case with Bombal's protagonist.
One wonders, then, about pre-modern societies in which what the West calls supernatural events are taken for granted. The entire structure is fantastic. At the end the narrator playfully concludes that the Aleph may or may not be genuine, thereby leaving the reader in doubt. Cruz has done this genre a great service by bringing to bear an impressive amount of research on it. Clearly, though, much more remains to be done by way of clarifying definitions and categories.
The Cerezo study is a revised version of her doctoral dissertation presented to the University of Toronto in The first chapter is an assessment of Donoso's debt to Henry James in general and to his The Turn of the Screw in particular. She concludes that it is primarily an autobiography of his nightmares, fantasies, and fears. The narrative disorder mentioned by numerous critics is successfully countered by Cerezo as the rational ordering of the chaos of madness.
In order for the reader to accept this logic, Cerezo insists, it is necessary to accept the abdication of the original writer and to accept Humberto, and ultimately Mudito, as the protagonist-narrators of the novel. Cerezo points out a kind of final irony in the.
The basic thesis of this study is sound and well-written, and the book will certainly become a part of the standard Donoso bibliography. Cerezo has delineated a critical point of view of an admittedly complex work of fiction, and she has carefully documented her conclusions. Her bibliography is extensive and well-ordered, but readers of this study may question her failure to update the bibliography to include the many Donoso studies published after One may also question her reasons for not including the text of the two interviews Donoso granted her as an appendix to the volume.
At the same time, we must recognize the difficulty of undertaking a critical project on the recent works of Elena Garro, whose fictional worlds may be described as hallucinatory labyrinths or disorienting galleries of voices. However, in this case, we must regret the haste with which this study has been published, for it is very much in need of structural reorganization and stylistic editing.
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Her study touches on dozens of critical approaches in an attempt to uncover the structure of these works. After providing the reader with a sampling of quotations mostly in English, with some in French from what would be excellent sources under other circumstances, the author applies her findings to Garro's texts in equally problematic ways. If we are to return to authorial intention as a base for analysis , must we go by the paths of post-structuralist theory to arrive there?
When she does focus on the texts at hand, she often assists the reader in disentangling the tortuous narrative strands characteristic of Garro's hermetic prose. The directions to which she points -intertextuality, genre permutations,. Para el lector en la toma de conciencia del texto este proceso se convierte en verdadero juego intelectual.
Coddou points out Allende's ability to fuse the historical and the imaginary by reducing the marvelous to the normal everyday sphere, and by using hyperbole to magnify everyday events. Coddou acknowledges Allende's debt to her Latin American mentors, but he also takes pains to point out her originality and to refute criticisms that her work is extravagant and that her characters lack autonomy. Para leer a Isabel Allende is a useful work. It does, however, suffer from repetition, excessive justification of the author's concept of literature, and unnecessary definition of terms.
Additional aspects of Allende's craft that Coddou discusses include considerations of biography, history, gender, and narrative structure. For example, in his treatment of the various narrative voices in the novel, Coddou shows how Allende employs differing perspectives, memories, notes, and transcriptions of notes to lend verisimilitude to her story.
Coddou devotes considerable space to Allende's view of the traditional patriarchal social system in Chile as expressed through her women characters. They are strong figures who, as Coddou points out, demand the right to be subjects of the discourse which until now has been enunciated against them. This is an interesting point, but it seems that Coddou bends Allende's portrayal of her women characters to his own views on social class and the male-dominated social system -namely, that the subordination of women is based on ideology rather than sex.
The author's argument that Allende's novel demonstrates the truth of this assertion seems overdrawn. To Coddou, criticism should not consist of abstract theories that apply to no specific text. If it did, criticism would be no more ruminating than a generic horoscope. Despite its flaws, this study is a useful contribution, for it sheds light on Allende's art as a richly textured referential discourse, and on her epoch as one whose drama is most effectively communicated in the magical realist mode. Interpretations of authors' works based on their biographies, stated aims, and self-analyses long ago ceased to dominate critical discussion of literature.
We also know, of course, that this sense of caution has not meant either the abandonment of biographical considerations or the negation of inquiry into the relations between authors' stated literary intentions or explications and their works. Indeed, some currents in modern criticism have shown the potential value of certain types of biographically or psychologically oriented projects, in some of which critics have also elaborated the methods and theories underlying their readings. The novels are grouped into three categories, which follow the chronology of their publication and the geography of their fictional locales.
The study concludes with a very brief summary of the aims and contents of the three main chapters. Privileging in the end the development of the personal myth over the collective in Puig's novels, Corbatta also proposes a classification of his texts in terms of the lesser or greater degree of authorial identification with the fictional protagonists The brief discussions of the texts enumerate themes and paraphrase a good deal of the novels' anecdotal material; they also briefly describe the salient technical features and cultural models of each work.
Extensive use is made of selected interview materials, which provide authorial statements not only about Puig's biography but also about his intended aims in writing and his explanations of particular texts. In the end, the study disappoints our expectations for an insightful addition to Puig criticism which might also include an exhaustive and accurate biography of the author or for a demonstration of how attention can profitably be paid to the relation between authorial biography and literary production.
A companion volume to a major retrospective of Argentine cinema scheduled at the National Film Theatre in London in , this book is an important addition to the growing bibliography on Latin American cinema, while at the same time offering a comprehensive view of contemporary culture in Argentina. To achieve this double objective John King University of Warwick and Nissa Torrents University College, London have assembled a series of essays by American, Argentine, and European scholars reviewing the major developments in Argentine cinema over the past fifty years. King opens the volume with a brilliant synthesis of Argentine history from mid-nineteenth century to the s.
This study makes helpful references to other essays in the book that more fully address the issues he raises, as well as to films that readers can use to enhance their knowledge of the period. Nick Caistor Latin. Couselo's account certainly justifies the priority he gives to the consideration of intrastructural matters over artistic and a esthetic concerns. In Argentina, however, harsh political repression and severe censorship cancelled the aspirations for a news ideologically-committed cinema.
When the military dictatorship came to an end in December, , the momentum had been lost and other, milder forms of politically-oriented cinema emerged from the drive towards a pluralistic and moderate society. Guido -in what must have been one of the last interviews she conceded before her death in March, gives valuable information about the life and work of her late husband, film-maker Leopoldo Torre Nilsson, and about her own work and life.
Especially interesting are her remarks and Bemberg's own commentaries on the condition of women as intellectual workers in contemporary Argentina. The volume closes with a selective but extremely informative Bibliography, and Filmographies of twenty directors featured in the program of Argentine cinema screened at the National Film Theatre. Well-organized, superbly researched and edited, The Garden of the Forking Paths: Argentine Cinema is a valuable contribution to the understanding of the state of film culture in contemporary Argentina and Latin America.
But what they have included provides in a manageable and relatively unintimidating format an excellent overview of Brazilian cinema in its various movements and salient works. Yet it does not commit the sin of the survey, as the individual parts are not lost in the whole. This book will serve the scholar already working within the field, both as a ready reference and as a handy digest of criticism, while for the non-specialist it remains readily accessible and highly informative as a pointed and practical introduction. All the articles are in English -though some knowledge of Portuguese is useful-, making it particularly appropriate for American students of cinema.
In light of the frequent comparisons they make between Brazilian film and that of other national traditions, the editors are careful neither to idealize nor to minimize their subject. They make their movies move and set the pictures they depict in motion. The next section of the book is a selection of pieces by various filmmakers speaking about themselves, their art, and, on occasion, each other. It is an ruminating cross-section which, if it omits certain articles and authors, includes a serviceable number.
That is, the editors nave selected pieces where the critical hypotheses to not obstruct the filmic medium, but rather illuminate it.
Spanish Fiction in the Digital Age
Many of the selections here are polemical and provocative, raising aesthetic, political, or commercial issues not necessarily familiar to American students of the cinema. Often they seem to speak in a language that is more visual than verbal, alluding rather than defining, suggesting rather than categorizing and confining. The next section of the book focuses still more intently on the films per se. It is varied reading which offers tantalizing insights, though, by its very nature, it has no common format, beyond the fact that all the pieces focus somehow on Brazilian films and filmmaking.
It leaves the reader with a desire to know -and especially to see- more, realizing that further investigation of the subject will truly be rewarding because of the often superior quality, the distinctive aesthetic and even intellectual appeal, and the cultural flavor of the films discussed. Brazilian Cinema , while appealing to aficionado and expert alike, surely will win new admirers, if not devotees, of Brazilian cinema in the English-speaking world. The book is divided into four major units: I.
Argumentation, II. Description, III. Narration, and IV. Its other major strength is the many different kinds of texts: journalistic, legal, historical, philosophical, literary poems, prose , essay, advertisements, and even comic strips. Another positive feature of the book are the appendices in which a glossary of linguistic and literary terms is provided. Based on the framework of the book itself, it is safe to conclude that most of the "linguistic" exercises undermine the book's numerous, varied and worthwhile readings. Instead of developing a better appreciation of reading, along with an increased vocabulary, a student is more likely to develop a dislike for what the author has defined as linguistic analysis.
Although this book may suit the framework for which it was designed -the high school curriculum in Spain- it is not recommended for use at the secondary or post-secondary levels in the U. There have been relatively few textbooks published for this level, and one of the popular ones went through about fifty printings without ever being purged of its typographical mistakes. Granted, the market is not very large, but, still, corrections should be made. The book being reviewed is the fourth printing, and it is a very clean one. Each of the fourteen lessons begins with a lectura whose purpose is to set up the grammatical content of the lesson.
These lecturas are by Spaniards as well as Latin Americans, and represent the gamut between high literature and journalistic style. Interesting readings. The second set of questions, opiniones , requires personal reactions to events of the readings, and this is a very attractive part of the lesson. Here are some examples. After reviewing the use of si in conditional clauses si ellos lo hubieran sabido antes I will wager that most students have never seen that construction before, yet it is appropriate to learn. In the section about reflexive verbs, after it tells about verbs that are always reflexive, and transitive verbs used reflexively acostarse , it goes on to explain that Spanish transitive verbs require the reflexive form when no other direct object is expressed quite unlike English : Si la ropa no se seca pronto This is a particularly difficult concept for English speakers to get used to, owing to the interference from English.
Another nice thing about the grammar sections is that they include lists of expressions revolving around a central item from the section. This ties the grammar to the reading neatly, and vice versa. There is a very clear. There is also a separate answer key the publisher will provide to help in correction.
This book is decidedly worth a try in the classroom -a breath of fresh air, different from what instructors doubtless have been using. Its clear explanations make it something easy to utilize. The program consists of video cassettes, audio cassettes, the book itself, a text-workbook, and a teacher's guide. The content of the material is functional and, by the end of the course, students should be able to handle shopping, ordering meals, asking directions, simple conversations about work, weather, and self, and other everyday situations. The book has fifteen units that correspond to most of the material presented in the audio and video cassettes.
Each unit begins with dialogues with the key words and phrases appearing alongside. There is a quick comprehension check in English following each dialogue. Vocabulary lists are kept short and are from Spanish to English. The grammar explanations are in English with Spanish examples. Each unit contains a short pronunciation section. Structures are checked in a two to three page practice section of functional activities. Each unit ends with a cultural note written in English about areas, towns, customs, or behavior mentioned in the video cassette.
On the other hand, a screening season celebrated the career of Russian film-maker Aleksandr Sokurov. Out of his large filmography, the retrospective included a film dedicated to his master, Andrei Tarkovski, Moscow Elegy , and three films belonging to his series The Diary of St. The screenings of his films Madre e hijo and Padre e hijo closed the Congress. En torno a un plano de Passion de Jean-Luc Godard. Borges, Gabriela: Beckett on Film:A dialogue amongst cinema, television and theatre.
Camporesi, Valeria: 'Inventarse' una especificidad. Canga, Manuel: La fractura del sentido y la apertura de la forma. Carrera, Pilar: Dos ciertas tendencias del cine europeo, una isla y un libro sobre nada. Casas, Quim: Philippe Garrel. Los ministerios del arte. Alejandro Pardo: Europa vs. Fillol, Santiago: Avanzar hacia el pasado.
Percorsi del cinema degli anni ' Frago, Marta: Lo europeo como imagen del desarraigo. Juel, Henrik: Intellectual Video Filming. Latorre, Jorge: Europa se comprende desde el "Limes". Losilla, Carlos: La edad del duelo. Luque, Ramon: Cine norteamericano y cine europeo: apuntes sobre confluencias e influencias.
Boston: Walter De Gruyter, Heft, editor. Oxford: Oxford University Press, Elshtain, Jean Bethke. New York: Oxford University Press, Haughton, Rosemary Luling. Heft, James L. Marsden, George. Shea, William M. Taylor, Charles.
On the Ten Commandments and the United States – Acton Institute PowerBlog
Abbey, Ruth. Angus, Ian. Colorado, Carlos. Gregory, Eric and Leah Hunt-Hendrix. Herdt, Jennifer A. Janz, Paul D. Klassen, Justin D. Mathewes, Charles and Joshua Yates. Schweiker, William. Ward, Bruce K. Baldacchino, Jean-Paul. Branford, Anna. Eipper, Chris.
Ireland, Rowan. Abstract: How does transcendental religion flourish when a secular frame sets conditions of belief? Kahn, Joel S. Smith, Karl E. Abstract: In this paper, I explore what it would mean to pursue modes of? Abstract: The article presents responses on several articles which includes one by karl smith on deep engagement, anna branfod on non-overlapping magisteria, and jean-paul baldacchino on the pre modern form of religious belief in a secular age. To what extent is the secular an imposition of colonial rule?
How does secularism comport with local religious cultures in Africa, and how does it work with local forms of power and governance in Latin America?
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Has modern secularism evolved organically, or is it even necessary, and has it always meant progress? Brilliantly alternating between intellectual and methodological approaches, this volume fosters a greater engagement with the phenomenon across disciplines. It is therefore inconceivable to me that I can hold any philosophical or ideological position that is inconsistent with my being a Muslim by my understanding of Islam. I have said that frequently regarding human rights, for instance, and affirm it here regarding secularism.
It is from this perspective that I support the secular state for the possibility of being a better Muslim, and not secularism as a life philosophy that diminishes the public role of religion. Bhargava, Rajeev. Transition from one kind of life-world to another. This essay must be viewed as. Bilgrami, Akeel. But if that is so, then there are interpretative tasks ahead. We need to reconcile this Gandhi with the ease with which he seems susceptible, and rightly susceptible, to an antimodernist reading.
I would like in this short essay to suggest that if we follow a method that is superbly exemplified in illuminating. Diagne, Souleymane Bachir. Saad, who is said to have been the seventeenth person to embrace the new faith, when he was seventeen, holds a particular place among those who wrote the golden legend of the early days of Islam.
According to the narratives of those early times, he resisted the moral. Kaviraj, Sudipta. It offers a story of a great transformation—but where does this narrative happen? There are two ways of taking this unspoken indeterminate site of the secular age. Lomnitz, Claudio. My contribution is offered with the aim of identifying a few general conceptual and historical parameters in the case, and.
Stepan, Alfred. Parliamentary democracy spread outward from England, among other countries, to India. One might expect this kind of conflictual,. Van der Veer, Peter. Edited by Ruth Abbey. New York: Cambridge University Press, Connolly, William E. Kerr, Fergus. Mulhall, Stephen. Abstract: This essay has three main concerns: 1 taylor's critique of negative liberty and nozickian rights; 2 his critical relation to communitarian political philosophy; 3 the heideggerian and religious context of taylor's work.
Orlie, Melissa A. Pinkard, Terry. Abstract: The chapter shows how the theme of meaning-constitution in relation to human subjectivity runs like a red thread through taylor's work on epistemology, philosophy of language and ethics. Slagmark: Tidsskrift for Idehistorie 49 Tema: Charles Taylor 49 : In Danish. Eskildsen, Birgitte. Tema: Charles Taylor 49 Tema: Charles Taylor 40 Sommer, : Beiner, Ronald.
Boudon, Raymond. Bouveresse, Jacques. Descombes, Vincent. Fortin, Anne. Hyman, John. Laforest, Guy and Philippe de Lara. Leydet, Dominique. Montefiore, Alan. Norman, Wayne. Poulain, Jacques. Resnick, Philip. Ricoeur, Paul. Thibaud, Paul. Van Parijs, Philippe. Charles W. Lowney II, ed. Lowney II, Charles W. Apczynski, John V. Stewart, David James.
Fennell, Jon. Yeager, D. Abel, Olivier. Gauchet, Marcel. Montenot, Jean. Motzkin, Gabriel. Portier, Philippe. Schlegel, Jean-Louis. Taussig, Sylvie. Wismann, Heinz. Bernstein, Richard. Calhoun, Craig. Cooke, Maeve. Ferrara, Alessandro. Fraser, Nancy. Gutmann, Amy. Honneth, Axel. Joas, Hans. Laforest, Guy. Lukes, Steven.
Books and Journal Volumes Dedicated to Taylor's Thought
MacIntyre, Alasdair. Maclure, Jocelyn. Mendieta, Eduardo. Nagl, Ludwig. Ponger, Lisl. Tully, James. Newcastle upon Tyne: Cambridge Scholars Pub. Bulira, Waldemar. Chmielewski, Adam. Cosmopolitanism: Charles Taylor on Identity and Community. Garbowski, Christopher.
Knight, Christopher J. Koczanowicz, Leszek. Kubicki, Roman. Lichanski, Jakub Z. Pawelec, Andrzej. Rosebury, Brian. Szahaj, Andrzej. Benner, Patricia. Abstract: Being formed through learning a practice is best understood within a constitutive theory of meaning as articulated by charles taylor. Bibeau, Gilles. Responses from Biology, Anthropology, and Philosophy. Abstract: Genomics has brought biology, medicine, agriculture, psychology, anthropology, and even philosophy to a new threshold.
Carnevale, Franco A. Abstract: This article provides an introduction to the articles in this theme issue. A synthesis of taylor's relevant work is presented. Weinstock, and Charles Taylor. Carson, Ronald A. Abstract: Charles taylor's retrieval of an expressivist understanding of persons, and of language as constitutive of meaning, contains promising insights for restoring moral connectedness between patients and physicians. Dreyfus, Hubert L. Abstract: Medicine is unique in being a combination of natural science and human science in which both are essential.
Elliott, Carl. Abstract: Many people feel uneasy about enhancement technologies, yet have a hard time explaining why. Kirmayer, Laurence J. Abstract: Health care services increasingly face patient populations with high levels of ethnic and cultural diversity. Abstract: This paper provides a brief overview and critique of the dominant objectivist understanding and use of illness narrative in enlightenment scientific medicine and ethics, as well as several revisionist accounts, which reflect the evolution of this approach.
Stoljar, Natalie. Abstract: The received view in medical contexts is that informed consent is both necessary and sufficient for patient autonomy. I first identify four themes in taylor's work that together constitute a picture of human agency corresponding to the notion of agency implicit in relational accounts of autonomy. Weinstock, Daniel M. Abstract: The political philosophy of health care has been characterized by considerable conceptual inflation in recent years.
Jan Andrzej. Amy Gutmann, ed. Princeton: Princeton University Press, Abstract: A new edition of the highly acclaimed book multiculturalism and "the politics of recognition," this paperback brings together an even wider range of leading philosophers and social scientists to probe the political controversy surrounding multiculturalism. Charles Taylor's initial inquiry, which considers whether the institutions of liberal democratic government make room--or should make room--for recognizing the worth of distinctive cultural traditions, remains the centerpiece of this discussion.
Anthony Appiah's commentary on the tensions between personal and collective identities, such as those shaped by religion, gender, ethnicity, race, and sexuality, and on the dangerous tendency of multicultural politics to gloss over such tensions.